As an artist, graphic designer, and author of four historical fiction novels and one contemporary romance, English is my main working language. I also write poetry and short stories inspired by Scandinavian folklore. Historical accuracy is critical to me — the plot must work inside the facts. Lucky then, that the vast amount of research that precedes writing a historical novel is absolutely my idea of fun.
As a graphic designer, I make websites and designs for any print media but book covers are the closest to my heart. As an artist, I work mainly in watercolour, arranging exhibitions and participating in art fairs.
Though starting out with art school, I went on to study film, literature, logic, and philosophy at university. After a kaleidoscopic career, it was chronic illness that forced a plunge into creative professionalism. Being a romantic and terminal optimist with a ardent passion for science and satire, I have an irreverent urge to see the funny in most things. Perhaps then, it is no great surprise that Austen, Wilde, and Wodehouse are favourite authors.
Ars Rönnei Media is the label under which I gather words, paint, and pixels. My studio is located in Vittsjö in the south of Sweden. Here, my husband and I are fortunate that the magpies let us use their garden and we grow veg, roses, and dahlias in it.
More Books by
Maria Yrsa Rönneus
“Your mother was a whore!”
After her parents' tragic accident; the spirited, principled, and romantic Lady Marigold is plunged into a bleak existence at the hands of her vindictive aunt. Inexplicably, her aunt and uncle seem to oppose any marriage match. Is she doomed to remain her beautiful cousin's companion? And what exactly is up with her uncle's shady, overly familiar lawyer?
The attentions of the gallant Major Arthur Hastings present a ray of hope and, before long Lady Marigold is persuaded that he is the man of her dreams. But, as the major is due to leave for India, she dares not trust that his intentions are serious. It will take all of her courage and wit to challenge convention for the right to choose her own future before there can be a happy ending; fulfilling their oaths of affection.
Set in the gloomy year of 1816, this sultry drama of challenge and change, blends political satire with philosophy and romance, narrated with humour and an appreciation of the ridiculous.
Oaths of Affection is the first of the epic Regency Tales by Swedish writer Maria Yrsa Rönneus. Transporting you across the centuries into a world of love and jealousy, friendship and deceit, the Tales span the years following the horrendous battle of Waterloo against a backdrop of political tensions, societal pressure, and the opulence of the British aristocracy.
Offers of Atonement
Maria Yrsa Rönneus
The sound wriggled and burnt its way through his veins. The laughter was so genuine; so completely uninhibited an expression of sheer, heartfelt joy. Beneath the depressing sk
Book Excerpt or Article
"We shall need a corpse."
When Captain James Hartcourt’s best friends ask him for an unusual favour, he doesn’t hesitate. Losing fortunes at cards, London’s shady underworld, his mother’s schemes – few things daunt him.
Until he meets Lady May.
Destitute, Lady May stakes her reputation in one great gamble to retrieve her family’s estate. Arriving alone in London with a proposition he cannot refuse, she discovers that Captain Hartcourt is a cardsharp with emerald eyes, dangerous kisses, and a shed that seems to house horrendous secrets. Soon she must wonder whether he is a murderer too.
Set in 1820, just as George III has died and all of London is plunged into mourning, Offers of Atonement is the fifth stand-alone novel in the Regency Tales series. For those who loved Northanger Abbey, this romantic comedy of manners takes a grittier twist to paint a realistic portrait of the era, outside the polished salons.
The Regency Tales is a series of evocative dramas of love and jealousy, friendship and deceit, spanning the years following the horrendous battle of Waterloo against a backdrop of political tension, societal pressure, and the opulence of the British aristocracy.
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Maria Yrsa Rönneus
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