Jonathan has been an avid reader of fiction ever since he was old enough to own a torch. As a schoolboy he virtually lived in Narnia, and as he got older, he got into historical fiction - particularly Phillipa Gregory, Susan Kay, C J Sansom and the Flashman Papers.
Jonathan loves creative writing, and has written the book and lyrics for three full-scale Musicals, all of which have been performed by community or professional casts. There have also been two plays, some dubious-quality poetry and several short stories.
In 2015 he upcycled the plot of one of the Musicals into THE WITCHFINDER’S WELL, a full-length Elizabethan action and adventure novel. This was followed by the second part of the trilogy, THE ALCHEMIST’S ARMS in 2019. In Summer 2022 the third part - THE SOVEREIGN’S SECRET was published.
THE LAWYER’S LEGACY (2023) is a prequel to the trilogy, and tells the story of Robert Wychwoode, a Tudor lawyer who appears as an older man in all three of the books.
Jonathan's other series starts with THE BROKEN SWORD. It features swashbuckling Tudor heroine Mary Fox and is set in the early 16th century. The second in the series, THE TUDOR PRINCE, is slated for publication by end of 2023.
Jonathan has two adult sons and lives in Exeter, UK. His love of Musicals has led to him presenting shows on local community radio stations featuring songs from stage musicals - for over thirteen years on Marlow FM, and lately on Phonic FM in Exeter.
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A captivating time-travel romance that puts you in the heart of Tudor England.
Thrown back to the 16th century by a freak electrical storm, modern-day girl Justine Parker becomes the target of a ruthless witchfinder and his superstitious supporters. But she’s not the only one in danger – her new lover is a dashing Elizabethan whose historic fate is an imminent and violent death.
Can Justine use her knowledge of the future to change history and save her love? And can she stop those who are determined to subject her to a fatal witch trial?
This book is a must-read for anyone who loves both romance and fast-paced adventure – and a strong-willed heroine struggling to save both her lover and herself.
Get your copy and join Justine as she fights for love and survival in the dangerous, colourful and romantic world of Elizabethan England.
The Witchfinder's Well
Tine-travel back to Tudor England
Book Excerpt or Article
As she surveyed the royal banquet from her high vantage point in the Minstrel’s Gallery, Justine Parker twisted slightly to get more comfortable in the tight bodice of her gown.
All things considered, the banquet was going pretty well.
An army of servants had brought exotic dishes up from the kitchens into the Great Hall and presented them to the assembled ladies, gentlemen, knights and courtiers for their appreciation and amazement.
There were dishes such as the noble roast peacock with its plumage dancing in the light, guinea fowl in a deep crusty pie and legs of mutton surrounded by mountains of peas and carrots. Fine red claret was drunk copiously from silver goblets, with the servants replenishing them from silver pitchers as they weaved around the tables.
Justine leaned on the railing of the gallery and let the warm sound of conversation and laughter wash over her; the rich hubbub of noise that rose up to the furthest corners of the magnificent ornate plaster roof. Down below her, the face of every guest was bright with enjoyment, bathed in the golden glow of a thousand flickering candles.
In the middle of the high table, Her Majesty Queen Elizabeth sat bolt upright, her bright eyes dancing round the room as the courtier to her right engaged her in conversation.
Justine admired her pale beauty, set off by her striking bodice of red velvet edged with gold lace and sparkling with a thousand shimmering pearls, together with the single flashing emerald at her neck that brought out the green fire in her eyes. Then there was her red-bronze hair adorned with its simple, elegant gold crown, framed by the high pearl-edged lace ruff that flared up from her shoulders.
With a small raise of her hand, the Queen paused the conversation with the courtier beside her and looked up at the gallery. Maybe Justine’s small twisting movement had caught her eye. She held Justine’s gaze a moment, then gave the smallest nod of her head – so small that it could easily have been missed – as if to congratulate Justine on the success of the banquet she had organised.
With a smile Justine bowed her own head and gave a gentle curtsey. The Queen nodded again, then turned back to the courtier and resumed their conversation.
In the gallery Justine smiled again, this time to herself.
Yes, all things considered, the banquet was going pretty well.
She looked down across the room, taking in the full scene. The long high table ran along the back wall under the big windows with the Queen in the centre. On either side Justine had seated her most important courtiers, looking resplendent in their richly-coloured silk doublets with slashed sleeves and fine white ruffs. Beyond the courtiers she had seated the women, elegant in their low-cut gowns, their hair carefully parted in the centre and tucked under their French hoods – a style introduced originally by Elizabeth’s mother, Anne Boleyn.
Justine’s gaze moved to the table down the left side of the room. The people here were less important and their clothes reflected this – the men wore plain doublets and the women wore their hair in simple cotton coifs rather than the more elaborate French hoods of the high table. Their behaviour was no less exuberant, if anything slightly more so, and Justine smiled as they all laughed at a joke from the jester who had been moving round the tables. His brightly-coloured motley costume consisted of a tunic split into a red half and a yellow half, while his hose had one red leg and one yellow leg on the opposite sides. In his hand was a small jester head on a stick, which he was using to entertain the guests.
From behind her came the sound of the minstrels; four elderly men with lutes playing light-hearted music that was all but lost against the loud noise of the room. Their piece came to an end, and she turned to them.
“You play well, good sirs,” she said with a twinkling smile. “What is next?”
“We have not yet played Greensleeves,” said the eldest minstrel. “But first we need a drink.” All four reached down for the tankards by their stools and drained them with great satisfaction. The oldest man then examined the bottom of his empty tankard and looked up at Justine expectantly. She laughed and reached for the large pewter jug ready by her feet, then went to each in turn, pouring more beer into their proffered tankards.
“Ahh, thank you my girl,” said the oldest man, “it is always a pleasure to play at one of your banquets.”
Justine curtseyed in reply. The men drank some more, then put down their tankards and launched into Greensleeves.
She turned and resumed her gaze across the Great Hall.
To her right was a smaller table seating more people, with a carving table beside it. On the wall above was a large portrait of a handsome knight in a shining breastplate standing with a white stag in the background. Her gaze stopped on this portrait, as it so often did, and she gave a small sigh as she studied the man’s long blond hair and trim beard.
The jester turned from the table he’d been entertaining and looked up, catching sight of Justine as she stared across at the portrait.
His gaze took in her shoulder-length cascade of russet-coloured ringlets trying to escape from under her French hood; her small, slightly snub nose, her pale blue eyes under thick, dark eyebrows staring with a faraway look at the portrait…
He gave a little dance and waved his stick to catch her eye.
She spotted him and gave a small wave back. He raised an enquiring eyebrow, then flicked the stick up behind his back so the little jester head on the end popped up on his shoulder.
He turned to it and appeared to have a brief conversation, then pointed up at her. The little head on his shoulder nodded. He made a ‘doe-eyed’ face – a gross over-exaggeration of hers, with a sickly grin and fluttering eyelashes – then pointed back at her. The head nodded again, then both the jester and the head turned to look up at her, with the jester smiling broadly.
She couldn’t help but laugh and he laughed back. Then he gave a low courtly bow, while she applauded.
The jester turned back to the room and started dancing sideways up towards the high table.
Still chuckling, Justine’s gaze moved upwards to the large tapestries depicting heroic scenes of hunts that were hanging round the hall between the sconces. In one scene knights attacked a stag with spears and arrows in a green forest; in another a different stag was running from a pack of baying hounds, followed by nobles on horses.
Justine looked back down at the hall. The servants had cleared the main courses away and were now circulating with bowls of fruit and more wine.
‘Only an hour more and we’ll be cleared and finished,’ she thought, as she twisted once more in the tight bodice of her gown.
Just then she became aware of an insistent beeping sound over the noise of the room. Fishing her mobile from the pocket of her gown, she swiped the screen.
“Hello, Justine Parker here.”
“The taxis have started arriving,” said a voice. “They’re early.”
“Oh, bother. I put half-eleven on the schedule.” She nudged up the end of her lace sleeve with her elbow, to reveal her watch. “It’s only eleven fifteen. We’ve just served the fruit. Would you be a sweetie and tell them they’ll have to wait?”
“And please can you tell them to turn their meters off. I don’t want one of their silly waiting charges when it’s all their fault.” Justine thought a moment. “It is their fault, isn’t it? Oh bother and blast it, it had better be. I’ll check the email I sent them. Can you be an absolute poppet and bluff it out or something?”
“Sure, no problem.”
Justine tapped the email app on her phone and scrolled through to find the relevant message. There it was – ‘please make sure the taxis arrive at 11:30pm’.
Tucking her mobile back into her pocket with a satisfied smile, Justine looked back down at the hall.
The Queen was dispensing her wisdom to the courtiers on either side, who were hanging on her every word and laughing sycophantically, even though Justine didn’t think the Queen was actually trying to be funny.
Justine sighed deeply. For all that she liked to pretend to herself that events such as this were real, in truth this was just a modern-day re-enactment of a Tudor banquet. The setting was real enough – the magnificent Grangedean Manor genuinely dated back to the late 1400s – but now it was a National Trust property, purposefully restored to its Tudor period as a ‘living museum’.
The costumes were all hired from the special fancy dress store in the old stables, and were held together with Velcro and poppers, not laced and tied as they should have been. They were a modern-day approximation of the Tudor costume; made for ease of putting on, not authenticity.
The dishes that had been served for the meal were cooked in a modern-day kitchen set up to standards demanded by the environmental health officer, and while the dishes were close enough to the Tudor recipes, the reality was that they were only interpretations for 21st century tastes. Even the peacock had really been a pheasant in disguise.
The ‘courtiers’ were the CEO and Board of an American corporate with offices in the UK, while the other guests were members of their teams. They had signed up for the Genuine Tudor Banquet Experience at Grangedean Manor – Complete with Her Majesty Queen Elizabeth I and as the events manager, Justine had been determined to give them their money’s worth.
Looking down at the glow of the candles on the bright, happy faces, she thought she’d done OK.
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