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A Gripping Tale of Reckless Audacity - an Editorial Review of "Power & Obsession"



Book Blurb:


She eyed him nervously, this man who could end her life without a second thought. She had been complacent, lulled into forgetting the immense power he wielded over her ...


London, 1941, and in the battered capital of occupied Britain, Emilia Shaw works as a translator for ruthless SS General Oskar Voigt. But Emilia is also a resistance spy, desperate to avoid the scrutiny of Voigt’s security chief, Irish policeman Brendan O’Connor, and his brutal offsider, SS Colonel Hans Morser.


Promised the crown, the Duke of Windsor returns to London, unleashing a wave of violence from the resistance. The Duke pressures the puppet government for his coronation, but finds himself at the mercy of Hitler, the supreme kingmaker.


As the violence escalates, Emilia is hunted by both the SS and the resistance, caught in the crossfire as the country threatens to implode. Ultimately, its fate lies in the hands of one man — the most unlikely of them all.


Power and Obsession is the vividly imagined tale of an occupied London, a dark labyrinth peopled by the sinister, the smug and the sadistic. Yet it is also a gripping tale of reckless audacity and the obsessive search for justice.


Book Buy Link: https://geni.us/AoqLm


Editorial Review:


It was their city now. In a vivid and tangible claim of ownership, strident swastika flags and blood-red victory banners flapped and rippled from Big Ben, the Houses of Parliament, Buckingham Palace and all the city’s prominent buildings. From Tower Bridge to Marble Arch, the streets were bedecked with black, white and red bunting, while huge posters proclaimed the victory for all to see. Londoners needed no reminding. The dull tramp of jackbooted feet, the strains of martial music that reverberated off the closeted, shuttered buildings and the blare of loudspeakers issuing proclamations and demands in equal measure served to tell the battered and beaten population precisely who was now in charge.


Catherine McCullagh's Power and Obsession is a gripping account of an invading London in 1941. Nazis have taken over Britain in this gripping alternate history, and the city is a hive of terror, intrigue, and resistance. In this setting, McCullagh creates a gripping and scary tale of espionage, power struggles, and steadfast bravery.


Unquestionably, Power and Obsession has a powerful opening. The tone is established right away with the opening line, which draws the reader into Emilia's dangerous world. The stakes and Emilia's fragility are established in the opening paragraph, which heightens the suspense even more. It is obviously a story that deals with some heavy subject matter, so be aware of that going in, but I felt like it handled it well.


The Duke of Windsor's arrival raises the stakes as she tries to evade the intense surveillance of the dangerous SS Colonel Hans Morser and Voigt's brutal security commander, Brendan O'Connor. Emilia's already dangerous life is made more difficult by the Duke's return to London, where he is promised the throne and sparks a bloody conflict between the resistance and the puppet regime.


It was later that day that Captain Feliks Holst found her. He looked uncomfortable and Emilia was tempted to smile, amused at his expression of intense discomfort as if he were internally stoppered. She watched as his expression shifted from anxiety to apprehension.

Miss Shaw,’ he began tentatively, ‘a point of some delicacy has arisen … and I wonder if I might seek your assistance.’

Of course, Captain Holst,’ she responded with irritating cheeriness. Holst’s fair brows furrowed significantly as he took himself in hand.

It concerns the General,’ he began again, his eyes searching Emilia’s as if wondering how to shape his words to allow her to deliver him from the source of his anguish.

Yes, Captain?’

The General is … a little … lonely.’

Captain, I really don’t understand,’ she replied with mock bewilderment, ‘the place is full of Germans — everywhere I go I run into crowds of them. I fail to see how he could possibly be lonely.’


Every chapter is an exciting read because of McCullagh's deft blending of exciting espionage and historical inquiry. The tension between Emilia and O'Connor is well-written, which strikes a balance between risk and hesitant partnerships to make readers continuously question their loyalties. The result of this is further cemented by the unexpected individual who holds the key to Britain's future as the nation teeters on the brink of collapse.


The book has flawless editing, with well-written text and seamless transitions that make it easier to read. Even as she delves into alternate history, McCullagh's devotion to detail makes sure that the historical details appear genuine. Clean formatting and well-organized chapters that successfully create tension and momentum are features of this work. Both the tight action sequences and the slower, more introspective sections that give the characters more depth are made possible by the tense pacing.


One of the novel's strongest points is how well-developed and complex its characters are. Emilia Shaw is a strong protagonist who is observant, resourceful, and very human. I enjoyed reading about her and learning more about her character throughout.


She is both relatable and admirable because of the nuanced portrayal of her internal conflict as she manages her double existence. There is a lot of tension in her dealings with Voigt, O'Connor, and Morser; each connection is full of lies and shocking disclosures that continue to propel the story forward.


Brendan O'Connor, a figure caught between morality and duty, is equally fascinating. He represents the moral ambiguity that characterizes the book as an Irish police officer employed by the SS. He is one of the most interesting characters in the novel. Voigt and Morser, on the other hand, radiate danger and serve as a continual reminder of the vicious machine Emilia faces.


Throughout the novel, McCullagh keeps the narrative steady and captivating. The alternate history's credibility is precisely maintained, and the historical context is painstakingly created. The story's turns feel natural rather than forced since each character's motivations are kept distinct and credible.


The novel's conclusion is unexpected and pleasant. McCullagh offers an exciting and thought-provoking climax. The last scenes have a significant impact and serve to further the book's central themes of justice, power, and survival. Although not all the loose ends are neatly tied up, the climax provides a fitting conclusion to the tension and intrigue that precede it—a deliberate choice that heightens the reality.


Although the genre of alternate history has been thoroughly examined, Power and Obsession is notable for its keen attention to occupied Britain, a situation that is not as frequently portrayed. The novel's speculative parts are given more legitimacy by the incorporation of actual historical personalities and the realistically rendered environment.


McCullagh writes with clarity, atmosphere, and evocativeness. She does a remarkable job of capturing the tension and terror of an occupied city. Her characters' diverse political and cultural backgrounds are reflected in their incisive and genuine dialogue. London under Nazi control is described in terrifyingly detailed detail, presenting a picture of a city full of resistance but also engulfed in fear.


Emilia's hazardous position is the starting point of the novel's well-structured arc, which builds to a high-stakes finale. Without any lost time or needless distractions, each act builds upon the one before it. Through a succession of calculated reveals and action-packed scenes, the fight keeps getting more intense, keeping readers interested. The tale has reached an unavoidable but powerful crescendo by the time the last act takes place.


Power and Obsession skillfully combines exciting espionage with historical interpretation. McCullagh crafts a terrifying and engrossing setting with characters whose choices have real consequences.


I highly recommend for anyone who enjoys stories of courage, cunning, and the persistent pursuit of justice in the face of tremendous evil.


5 stars from The historical Fiction Company and the “Highly Recommended” award of excellence





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