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The Real History of Wartime Federal Nurses - an Editorial Review for "Sparrow's Song"

58 minutes ago
4 min read

Book Blurb:


Shortly after Kathryn Scheibel leaves her cigar‑making job in 1917, she enters the Army School of Nursing, a pioneering WWI nurse‑training program that offers the education she’s longed for but couldn’t afford. More than two decades later, her career carries her, as an instructor, into the Cadet Nurse Corps, the federal WWII nursing‑education initiative created to support the war effort. There she sees the same pressures she once felt now directed at students with even fewer protections. When two Black students are treated unfairly, Kathryn must decide how to respond.

Sparrow’s Song is a sweeping, intimate novel about resilience and belonging, rooted in the real history of wartime federal nursing education and the evolving landscape of modern American nursing. At its heart is a young immigrant woman pushing herself toward the advantages she’s convinced education will unlock, even as that drive pulls her away from the people and heritage she loves.


Book Buy Link: https://geni.us/RKsYmt


Author Bio:


Marilee Aufdenkamp is a historical fiction author and retired nurse educator whose work is rooted in the Progressive Era and early to mid-twentieth-century American history. Her stories draw on her long-standing interest in immigrant communities, the complex pressures of assimilation, and the universal right to human dignity.

Before turning to fiction, she spent twenty-six years as an undergraduate nurse educator. While writing her debut novel, Sparrow’s Song, she conducted extensive historical research into early nursing educational reforms like the Department of Nursing Education at Teachers College at Columbia University and Henry Street Settlement, as well as homefront wartime initiatives like the Army School of Nursing and the Cadet Nurse Corps. Her writing is deeply inspired by the Germans from Russia she cared for early in her nursing career.

Marilee lives in Nebraska with her husband and has one grown daughter. She is a lifelong reader and enjoys watercolor painting. She is currently at work on a new historical novel set at Boys Town in 1927 Omaha.


Editorial Review:


Title: Sparrow’s Song

Author: Marilee Aufdenkamp

Rating: 4.5


“Sparrow’s Song” by Marilee Aufdenkamp is a heartfelt story honoring the Germans from Russia who made their way to the plains of North America after enduring great hardship, building new lives through hard work, determination and perseverance, and leaving a strong foundation for the generations who followed.


“At home, wasting even the smallest amount of something usable was unacceptable. Most of the children in her neighborhood grew up pulling their wagons along the tracks, picking up fallen coal from the coal cars for their families to use for winter fuel. The other roller shook out her hands. “Why do you sweep the last of your trimming onto the floor?” Kathryn shrugged and smiled. “Because it pleases me.””


At the core of the story is Kathryn, a woman raised with the immigrant values of hard work and survival, and one of the few from her community who was lucky enough to complete twelve years of schooling. In this passage, she emerges as an agent of her own life who is willing to break the rules of her world. One senses that she is not afraid of being different than other women around, an aspect that foreshadows her later struggle to break away from her communities expectations as well as limitations. The reader looks forward to see what she will gain and what she will lose by refusing to conform.


“No way am I going to be trapped into getting married, never leaving Gorham, and living the same life I’m living now, only with Rudy Rupp instead of my parents.”


Kathryn sees marriage as the ultimate end of freedom, which makes her emerge as an individual who wants an entirely different life. In the passage above, she is rejecting the entire blueprint for a woman’s life her community has laid out for her. The reader senses the cost of rejecting tradition will soon be made clear, even as they hope the novel will present marriage not as an universal good, but as one option among many.


“As the train pulled out of the station, Kathryn caught her reflection in the window. The events of the evening crowded in on her as she scrutinized the image staring back at her. What have I become? She put her fingertips to her temples, pressed them inward, and stared harder. Am I so selfish that I can only think about what I want? So evil that I’m willing to desert my family when they need me most? She searched herself in the glass until the train pulled away from the station leaving her in darkness.”


In this very emotional moment, Kathryn is in profound self-doubt after leaving home to pursue nursing training in Washington D.C. through a federal program established during Word War I to train nurses for the war effort. But instead of feeling like she has triumphed, she is wracked with guilt especially since her father has stroke and there is so much to do at home. The reader knows that she is not a selfish individual who has abandoned her family but a soon to be heroine making a painful choice, going towards a future she has no idea what it will offer.


This book stands out in how it renders the speech of the German-Russian community, not translating everything but trusting the reader to understand the context. Phrases like “Schmeck gut” and “Ja, we like it pretty gut” blend German with English, showing a generation caught up between two languages. The reader feels the in-betweenness, respects their culture, and feels the cost of assimilation. The book’s historical detail is exactly what makes us feel the weight of every decision because we understand the world in which those decisions are made in- a world of hard, physical labor involving brick and cigar making, where children miss school to work in the beet fields, among other .


“Sparrow’s Song” by Marilee Aufdenkamp is grounded in years of careful inquiry, documentation, and respect for the historical record, is more than fifteen years in the making. Aufdenkamp visited archives, interviewed former nurses, listened to family stories, examined artifacts, studied old newspapers, and even checked online estate auctions to verify the details of a 1930s jewelry sale. And while its fiction, this meticulous research makes it deeply verified to the minutiae, rendering it a work of profound authenticity.


To have your historical novel editorially reviewed and/or enter the HFC Book of the Year contest, please visit www.thehistoricalfictioncompany.com/book-awards/award-submission

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