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The Shameful Realities of an Orphan's Life in 1940s Canada - an Editorial Review of "Wildflowers Grow in Broken Places"


Book Blurb:


Told in multiple viewpoints is a story that begins on a cold winter December night in Quebec 1941, the Jardin sisters, three-year-old Josephine and six-year-old Collette, were abandoned by their parents in a freezing cold house with scraps of food. They fell upon the mercy of Canada’s Ministry of Children and were quickly sent into the province’s Catholic-run orphanage system.


When Premier Maurice Duplessis was voted in a few short years later, new radical laws of financial reform took place, resulting in orphanages being cut from funding. Orphanages were quickly abolished, and healthy orphans were dispersed to hospitals and mental institutions. Labelled as patients in this new system, the children were told they were “sick” and treated as “criminally insane” or “mentally deficient.” All forms of education stopped, and cruel medical treatments began. Josephine and Collette would remain there until they aged out at sixteen.


Years later, how would the past come back? And in what ways?



Author Bio:


Some stories live inside of us, they write their own words across the pages in our hearts and minds until we simply give in to them. We become their storyteller.

A retired college instructor, Suzanne spent her childhood in Ontario, but lives in Vancouver with her husband and little Boston Mia. A love of gardening, nature and literary events fills her days.

Wildflowers Grow in Broken Places is her first novel.




Editorial Review:


Title: Wildflowers Grow in Broken Places

Author: Suzanne Grant

Rating: 4.5


"As she thought of Collette and Josephine, tears fell on one cheek but got stuck in the closed tear ducts of her injured eye that had now swollen almost shut. Genevieve should have brought the girls with her to her mother’s but knew she could not have managed to push the pram through this snow—and they couldn’t have managed the walk..."


"Wildflowers Grow in Broken Places" by Suzanne Grant is a family saga that explores the devastating impact of domestic violence and neglect, the crushing weight of generational trauma, and the profound cost of survival while hanging by a thread of hope. The story introduces two sisters who have been abandoned by their mother, Genevieve, a woman whose decision to prioritize her sole survival has the reader grappling with the unsettling question of whether she is a bad mother or just a broken woman whose circumstances have pushed her beyond her limits. The reader senses that the winter atmosphere mirrors the difficult and cold journey they are about to navigate individually. Her trapped tear creates an image that lingers in the reader's thoughts and, although filled with dread and shock, makes them care how her life and the future of her daughters will unfold.


"“I don’t want you standing there looking like you’re going to start bawling, for Heaven’s sake. I simply asked you a question because I know where you came from. Since my son hired you to wipe my ass, I just want to know if you are at least capable of doing it!” replied the senior Mrs. Berkholder. At this, Josephine just nodded and managed not to let the tears fall that had threatened to earlier."


This passage reveals what becomes of Josephine's new world. She is treated as less than a human, gets constantly reminded of where she came from, and she's surviving through emotional suppression. The reader knows she's been taught that she is worthless, which makes them feel a deep, unsettling sorrow, even as they understand her silence because they have seen her punished for speaking and her tears being used against her.

"He was just a nice, old guy that her mother married. Hell, it took long enough to even be comfortable calling her Mother or Mom... Collette and Phinie knew, even unspoken, that their mother loved the child she had with Wilbert much more than she ever loved them. But then, Genevieve was a true mother to Mabel and never gave her away..."


In this moment of sorrowful observation years later, the reader learns that Genevieve was capable of being a true mother, just that she couldn't be one to Josephine and Collette. Mabel was chosen, she was not given away... maybe because she was from a man Genevieve loved. The two daughters born to George had been given away. They had not been cherished and were denied attention. The reader reads on knowing that this pattern may take more than just a decision to do better, to break.


This book doesn't simply tell a sad story, rather, it paints an accurate image of the uncomfortable reality of lives shaped by abuse and pain. By making the reader witness the cold baths, whippings, and the shame of holding a urine-soaked sheet between teeth, it emotionally engages them most intimately, pushing them beyond tears, making them suffer alongside the characters, while additionally making them feel the degradation of being mocked and exposed. Here, what Grant does is not invent a new writing skill but rather, apply a timeless technique with precision, while holding the reader's gaze and forcing them to sit with the discomfort.


Wildflowers are not cultivated but grow where they are not planted, like in cracks and on pavements, and they find their own way, often in the most unlikely places. The title itself - "Wildflowers Grow in Broken Places"- borrows from this rich imagery, drawing on the nature and adaptability of these flowers to craft a powerful symbol and a carefully crafted statement whose meaning deepens the reader's understanding of the story's themes, including resilience, survival, and the possibility of beauty emerging from pain and struggles. Readers will appreciate its warning about holding and repeating patterns that caused us pain during childhood, as well as the dangers of mistaking intensity for intimacy. They will also adore its portrayal of true resilience, the importance of speaking out even when terrified, as well as the need to protect the vulnerable.


To have your historical novel editorially reviewed and/or enter the HFC Book of the Year contest, please visit www.thehistoricalfictioncompany.com/book-awards/award-submission 

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